Rebeka Põldsam

"Concrete cast Cow" ready for completion in 2006, the Kumu Art Museum. Kumu Art Museum is the basic materials of stone and concrete. Cold work is an elegant form of the game with a material that throws Evening question of faith in the importance, where the context may change the content of a single word - seemingly museum architecture Müürililleks wanders concrete element on wheels begins title cows after obsess about that if there really is a concrete inside a cow, or the artist, still a normal person .

Neeme Cold "in concrete cow" reminds immediately remembered Damien Hirsti formaldehüüli molded, cut in half and a glass box acrylated cow and calf installations "Mother and Child" (Divided), 1993 Hirsti carry terrible shock graafilisusega where you can see the guts of cows and that really, one animal larger than the other, may be regarded as two of art for the murdered animal family. The cold, however, the cape has taken the form of a rectangular area with some games and poured concrete, put the wheels down and one side of the tag, the concrete is poured cow. We do not see this cow, but maybe even there really is such a cow Hirstil? Why did the artist do anything right? Is the concrete is poured or conceptual pretty cow cow? Why a cow, and what does that mean? Perhaps the slaughterhouse had a cow concrete or concrete cast alive into a cow Neeme Cold metaphor for the position of creative artists in the museum? What is it supposed to mean? The artist's aim is for each of any successful: spectators begin to obsess about a number of issues that require immediate and clarity of the thinking.